It’s strange to come back to Tucson because I have a lot of history here. I moved here in the mid 90’s on a whim and stayed for a decade, which was slightly longer than was good for me. In hindsight I only stayed long enough to do everything I needed to do, it just took longer than I thought. By the time I left I practically ran out of town.
Since 2006, I’ve been back to Tucson (usually reluctantly) every year or so to visit my friends and my storage shed. Normally I only stay for a brief few days but for one period of time in 2011, I moved back to Tucson temporarily to write a book and during that time I started going to this yoga studio regularly.
Being on the road all the time, I enjoy the familiarity of Bikram studios all across the nation. I know what I’m getting into and yet I have a different experience in each class. Bonnie and Yoga Vida are directly responsible for my love of yoga studios that teach the Bikram method without the dialogue. I can appreciate the need for dialogue and the emphasis on certain Bikram-specific practices (LOCK YOUR KNEE!) but there’s a yoga spirit that can be lost in a Bikram class because of the stridency of the speech. What I really enjoy is doing a familiar sequence of poses with instructors that extemporize verbally, correct postures, tell stories and don’t talk about Japanese ham sandwiches. Plus I always come away with something to think about.
In class this weekend Bonnie started by saying “Let’s go into this slow. Work as hard as you want, but let’s start slow.”
That is pretty much the exact opposite of everything I hear in my normal life. Everything around me (including the drill sergeant in my head) says move fast, hit the ground running, catch up, you’re getting left behind. Nothing says “Go slow. Think about the work before you do the work. Easing in is ok…”
She followed this by saying “Let’s pretend we don’t know what these poses look like and focus on what they feel like.” In other words, lifting out of the arch of my foot doesn’t look like much but it feels gigantic. Shifting my gaze from my knee to my navel might not change anything about my posture but it changes everything about my intent. If I’m always depending on some exterior source, like a mirror, for corrections, I won’t ever know what it feels like to do it correctly because sometimes the changes are too small to be seen.
Interestingly, both of these sentiments can be flipped around. Some days are about starting fast, moving more and visually correcting myself. Pushing harder than I want to but getting further than I expect.
The trick is knowing what day it is.